BULLshot: Padgett Powell

BULL: REPENT FINAL WARNING — I’ve seen this sign for real off the highway and have always got a kick out if it in “Dump,” how it couples so well with the chop and wine; but can you shed some light on the coupling? How it arose, etc…?

PP: I saw the one, as you did, and made the other up to go with it, making as much sense. This story, “Dump,” by the way, does not make sense. I suppose it might have momentarily.


New In The Horns: "Dump" by Padgett Powell

This week BULL returns stateside and boy, do we with “Dump”, by the inestimable Padgett Powell, reprinted from his collection Aliens of Affection. This story is a momentous one in that it’s what I had in mind when first conceiving of the site, as a place where pining for “an industrial model designed for home use” could be understood and appreciated on a somewhat primal level. So sweep your floor, regroup, and get ready to move and groove into the New.

Wear Your Taste on Your Sleeve (or Chest)

This year’s AWP conference is coming up, and readers and writers will all soon be brought together as if the literary community were blowing through a big conch shell. I like AWP, and have gone the past 2 years, but for as much as I enjoyed being there I always felt it was a bit lonely, in that you’re surrounded by so many people who share your interest in reading, and out of them there’s probably a good number that share your particular taste as well, only there’s no real way to know this, and much less a way to approach or otherwise meet these like-minds, that you’d probably get along with, but you’d never know since everyone’s passing by like ships in the night, if you’ll allow me another oceanic simile.

Thing is: BULL’s got a nice little following so far, made up of what seems like great folk, and it would be a pretty good thing if those folks could meet each other, get a beer, something. Maybe if BULL were there at a table there would be a hub for something like this to happen, but babies and bank accounts this year do not oblige. Maybe next, who knows.

I do have these T-shirts, though, a suitable beacon to spot and be spotted by your fellow readers–a community as yet small enough that the camaraderie would be a select one, almost Masonic, or else Elks or Moose Lodge-y.

So I’m making them dirt-cheap — $8 bucks and one comes to your door. With a hard-copy issue or two and whatever else I can think of. For a limited time, most likely, until it gets too untenable. So get yours here, and let ’em all know what you like.


BULLshot: David Ewald

BULL: Have you any advice for dating European women?

David: At the moment I’m not drinking anything, but if I had some handy I’d be sipping slivovice–Czech plum brandy that’s pretty much the national spirit. The extreme warmth this drink provides is great when you’re, say, hiking in the Hungarian foothills in the middle of the night during a severe snowstorm. Alas, the last bottle of slivovice I finished was left somewhere on that trail.

My advice is to keep an open mind, immerse yourself in her culture (this means visiting as many of her country’s sites of interest, cities and villages, friends and family), learn as much of her language as possible, give more than you take, and be prepared to beat your chest like King Kong trying to communicate with Ann Darrow at those times–and they’re bound to happen–when you just don’t know what to say. You may look like a fool–especially if you’re in public–but she’ll appreciate the effort.


New In The Horns: 500 Kilometers to Cairo

This week the International Series ends with our Winter print issue bonus, David Ewald’s 500 Kilometers to Cairo–a tale of tourism, terrorism, and bad case of King Tut’s revenge. Not only that, but it will teach you how to count in Arabic. At least up to nine, because I hear after that it gets tricky.


BULLshot: Ajay Nair

BULL: “Fifty-One” gives a pretty grim assessment of getting older, Ajay. Is this how you really think it is? And as always, if you’re drinking, feel free to let us know what.

AN: I have just attended a Holi (a Hindu festival) party where ‘Bhang’ was served, mixed with milk. Wikipedia tells me that Bhang is a preparation from the leaves and flowers (buds) of the female cannabis plant, consumed in the Indian subcontinent as a beverage. I can tell you that its intoxicating effect lasts awhile.

I really think that for a lot of people, getting older is not very pleasant. There will be regrets and just the sense of time having gone past, irretrievable. Heck, I feel like that at thirty! Viraj specifically was a composite of a couple of people I know–entirely populated with my projections of what they might be feeling or what I’d like them to feel to make it an interesting story. But I can imagine old age to be plagued with ‘grim’-ness as it were–there’s death obviously to worry about, physical ailments and general weakening and the feeling of missing the excitement of new things, not to mention your mind going – and I for one am not particularly looking forward to it, when it comes.


R.I.P. Barry Hannah, A Guy

Barry Hannah died the other day. Tim told me this morning, but I guess by then it was old news via the Internet, and I felt kind of bad about that—being so late on knowing—because I was cooking dinner or brushing my teeth or sleeping. But you’ve got to do those things, and you’ve got to die, too.

Barry Hannah died. But it’s okay, because it has to be.

And I suppose this post about Barry has to be, because I can’t seem to do anything else until it is. But it won’t be poetic, or well-thought-out, or the melodious dirge I’d like it to be, because hopefully it’ll just pour.

Two or three summers ago, after some long years of reading and admiring him, I got to hang out with Barry for a week in Massachusetts, a state in which we both didn’t seem to know what to do with ourselves. The social nexus was some kind of old house/inn, and the nexus of that was an outdoor courtyard thing, where Barry would sit amongst us admirers and ask around for a light for his long, generic cigarettes.

Upstairs in a creaky wooden room with a few others we all talked about our stories. He read one of mine, and bled on it, because he was wearing a lot of Band-aids about this time. I suppose there could be some kind of grand eloquence to be made about Barry bleeding on a manuscript, but it was actually kind of gross. An agreeable grossness. The blood was brown and smeared.

The story, he said, needed a greater sense of menace. It was one word that changed everything.

One day he came into that room rather dejected and said his editor had phoned to tell him she’d read his latest stuff and could not make a lick of sense out of it. He’d been on medication when writing. He was sad about it. And despite his overall literary eminence, he made a long point of commiserating with us pale, crappy writers about the cruelty of it all. “You’re always a happy amateur,” he said, “as long as you can stay happy.”

I like that one.

It seemed Barry and I shared a guilty habit of walking out on large auditorium readings when the reader did only that—read—just read the words they’d written real fucking nicely on a piece of paper. It’s pretty easy to tell whether someone is just stroking themself behind a podium instead of trying to tell you something.

I found Barry in the empty lobby outside the hall and he asked if I could take him back to his motel. In the car he said he didn’t much care for poetry, the new stuff. He said he’d rather be watching TV, Comedy Central, he liked that channel. In the parking lot he opened the door and said “bye-bye,” which I remember thinking people don’t say much anymore.

This all may seem to make Barry out to be just a guy, but he was just a guy, a real fucking great guy like others out there that make you happy and proud to be around and every now and then something comes out of their mouth that makes you realize that your life and this world you live in is really something amazing.

And his writing is made up of these things 100 percent. People talk a lot about his sentences, and it’s all true. Every one of them aims to tell you something, and inside that telling there is always something amazing.

It’s very sad to see him go. But it’s a very generous thing that he was ever here at all, that he wrote what he did, and that he left so much of himself behind on those pages.